Ceilings dotted with halogen lights could have illuminated rooms in the 1980s, but today’s focus is on Serge Mouille, whether it’s feature lights in the restaurant or table or standard lamps in homes. And instead of blind recipients, the light creates intriguing shadows on walls and ceilings.
“Lighting has become more focused on achieving certain tasks, whether it’s to create cooking easier, or simply to create the right ambience,” says architect Jon Mikulic, director of Newline Design whose design skills include creating lights.
For your Dutchess restaurant, a great-dining venue in Melbourne, Mikulic created a striking light as being a centrepiece. Set against a black-painted ceiling, the Coil Light is made from copper water pipes and powder-coated white. “There’s approximately 60 metres of piping with this design,” says Mikulic, who saw the free-form cloud-like light as a contrast to the more formal lines in the seating. As soon as the brief requires, lights enter into play, including cathedral-style glass lights for any nightclub that evoke stalactites seen in a cave.
One lighting design that usually finds its distance to Newline’s bespoke homes will be the extruded fluorescent tubes that cantilever above island benches in kitchens. Wrapped in black steel, the 3.5-metre-long lighting is pierced at various points to accentuate different qualities of light. In addition to fluorescent tubes, there’s also more incandescent lighting within this fixture.
“The brighter section of this light is focused on food preparation, during another part it’s about making a slightly softer light,” says Mikulic, who sees a move towards using technology to produce a more tactile response whether it’s put into a domestic or commercial setting. “Lighting designers are also starting to explore using a greater assortment of materials, whether it’s ceramic, steel or perhaps concrete,” he adds.
Lighting designer Suzie Stanford first stumbled on prominence along with her distinctive teacup lights. Produced from “up-cycled” fine bone china, these whimsical creations became a feature within both residential and commercial settings. Stanford’s latest assortment of lights, made from found brass and by means of animals, fish and magnolias, enliven living and dining rooms as well as adding light to bedside tables. “It’s about obtaining the right form in each design, whether it’s a pheasant, a swan or an eagle,” says Stanford, who has designed some floor lamps and bedside tables for this particular collection.
In addition to building a conversation piece for a room, Stanford’s lights provide intriguing silhouettes of creatures against walls and ceilings. ‘”I direct the lighting source upwards to generate more subtle shadows,” says Stanford, who sees lindsey adelman replica as a kind of theatre and as an easy way of engaging people, be they relaxing in a armchair or gathered around a dining table. And taking advantage of found, as an alternative to bought, materials adds history to each and every design. “I really like the notion of reinterpreting an item. Before it could have been a copper bird getting dusty on someone’s shelf. Now it’s a centrepiece in someone’s home,” says Stanford, who sources her materials from around the globe..
Lighting designer Christopher Boots has additionally established a reputation both in Australia and abroad for his bespoke lighting. His Prometheus light, a striking solid brass ring embedded 10dexmpky removable crystals, has turned into a feature in both retail and domestic environments. Available in a variety of sizes with each one made to order, the Prometheus lights are now supplied to the us, Britain and Asia.”As a child, I usually enjoyed a fascination for crystals,” says Boots.
Also in Bocci Light is definitely the Diamond Ring light, a considerably larger version of an diamond engagement ring. Made out of solid quartz, these lights vary in proportion from 450 millimetres to 2.1 metres in diameter.
For Boots, the division between work and pleasure doesn’t exist. His passion for lighting extends 24/7, with constant exploration to generate lights which make people feel secure and comfortable, whether placed in their homes or dining in a restaurant. “A house ought to be an area for dreaming,” says Boots, who couldn’t possibly have imagined seeing his lights can be found in the Hermes shop windows, first in Ny in 2014, then this year later in Vancouver.